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Perspecta 51
Retrospecta 41 Cover
Cover of Spring 2018 Constructs
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Mexican Social Housing: Promises Revisited
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Tatiana Bilbao
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Perspecta 51
Perspecta
Shayari de Silva, Dante Furioso, Samantha Jaff, Carr Chadwick, Seokhoon Choi
Perspecta 51
Harlem: Mart 125
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Nina Rappaport, Eunhyung Kim, MGMT Design
Harlem Mart 125 cover
Retrospecta 41
Retrospecta
Nicole Doan, Javier Perez, Michael Gasper, Limy Fabiana Rocha, Willis Kingery, Haeok Shin
Retrospecta 41 Cover
Future Real
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Nina Rappaport, Aymar Marino-Maza, MGMT Design
Future Real cover
Constructs Spring 2018
Constructs
Nina Rappaport
Cover of Spring 2018 Constructs
Retrospecta 40
Retrospecta
Brian Cash, Alejandro Duran, Erin Hyelin Kim, Melissa Russell, Youngeun Sohn, Bryce Wilner
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Constructs Fall 2017
Constructs
Nina Rappaport
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Perspecta 50
Perspecta
Mahdi Sabbagh, Meghan McAllister, Alexis Mark
Cover of Perspecta 50: Urban Divides
A Sustainable Bodega and Hotel in Rioja
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John Spence, Andrew Bow, Patrick Bellew, Henry Chan, Nina Rappaport
Cover of A Sustainable Bodega and Hotel in Rioja
Converging Territories: Island Incubator
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Marion Weiss, Michael Manfredi
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Constructs Spring 2017
Constructs
Nina Rappaport
Cover of Constructs Spring 2017

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Publications

Retrospecta 24

Retrospecta 24

ISBN
0967402166
Published
2001 Yale School of Architecture
Editor
Victoria Partridge
Sarah Lavery
Jessica Russell
Designer
Glen Cummings
Juliette Cezzar

In spite of new high-tech modeling equipment, renovated studios, and a roster of famous visitors, Yale is anything but slick. It’s messy. That’s what we like about it. The public image of Yale is only a small part of what it’s really like here, although everyone experiences Yale differently. Our diverse backgrounds, opinions, and experience are pooled, contributing to a collective culture that redefines itself every year.

This issue of Retrospecta is the result of the collaboration between five student designers and the entire student body. Our process of finding work to publish was not unlike what we do here daily—eavesdrop on conversations, rummage through garbage, paparazzi events, and generally beg for attention. We found great projects in final presentations, but some of the best ideas remain sketches on trace. It is often these undeveloped ideas that spark discussion and inspire exploration of new directions. Our education is defined as much by casual conversation as it is by formal criticism.

By the time you read this there will be new students, new faculty, new equipment—new ideas to influence our current thought. This book is now an artifact—not comprehensive, but hopefully interesting.

—Sarah Lavery, Victoria Partridge, and Jessica Russell