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Operation Summer Care: the final document, Front Cover and Interior
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"My house goes on forever"
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Maximum Governance: Managerial Populism and Violent Infrastructures in the New India Cover Image 2022 - Graphic by Charis Armstrong
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COASTAL ASSEMBLAGE: TOWARDS A PRACTICE OF ADAPTATION
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The Path
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Continuous Extremes: Architecture of Uncertainty in Poland, Front Cover
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Deutsches Rotes Kreuz donation bin near the Aufnahmeeinrichtung, Eisenhüttenstadt. The facility is visible in the background. Image taken January 2019 by the author.
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Student Work

Perspective by Matthew Zuckerman.
Perspective by Matthew Zuckerman.
Perspective by Matthew Zuckerman.
Section drawing by Matthew Zuckerman.
Plan drawing by Matthew Zuckerman.
1∕5

Title

Gasworks Theatre

Authors
Matthew Zuckerman

Course
The City and The Theatre

Project Description

Gasworks Theatre rejects the traditional division between front-of-house and back-of-house space and restructures the theatre around a shared all-of-house zone. This zone is both programmatic and symbolic, permitting greater exchange among spectators, actors, production staff, and the public at large. Spatially, this all-of-house realm occupies the charged in-between spaces among the site’s five disparate structures, three preserved nineteenth-century masonry buildings, and two new facilities for theatre production. These structures distribute and restructure the functions of the theatre–from ticketing to costume maintenance and prop fabrication–such that the all-of-house zone is a place of necessary congregation and mixing. Above, the continuity of this all-of-house world is manifest in the uninterrupted roof place that caps the site. Below, the floor of the city rolls right through the project, connecting Gasworks Theatre to the everyday performance of the city beyond.

Tags
Public space Theater Campus Canada Canopy Toronto Preservation

Gasworks Theatre

Gasworks Theatre - Yale Architecture