M.Arch II Post-Professional Design Research


The post-professional degree program is for students already holding a professional degree in architecture (B.Arch., or an equivalent first professional degree) who seek a second, advanced degree and who are interested in pursuing transdisciplinary design research that expands our understanding of how the designed environment—objects, interiors, buildings, cities, landscapes, relations—intersects with broad cultural, political, economic, technical, and environmental forces.

Mission

The post-professional design research program is founded on the premise that architects can contribute to myriad urgent global challenges by advancing design research as a new framework for practice. The post-professional M.Arch. II expands the possibilities for design, representation, and spatial thinking to produce new forms of knowledge addressing a broad array of contemporary topics.

Core Research Curriculum

Our two-year core curriculum equips students with an advanced degree that builds upon their previous architectural training to pursue both group and independent design research centered around an independent thesis project. The curriculum consists of a first-year seminar sequence and a second-year independent studio sequence. The design research sequences allows students to explore the breadth of courses offered at the School of Architecture and the larger community of courses throughout Yale University while providing a supportive environment that fosters interaction, dialogue, and a sense of common purpose.

Academic Flexibility

With only four required courses, the program offers students considerable freedom to shape their own curriculum to develop an increasingly responsive, critical, and speculative relationship to their work. In addition to the curriculum outlined above, during the first two terms, students will enroll in advanced design studios taught by leading practitioners from around the world. These studios are the same ones offered to M.Arch. I students. Students also take elective courses offered by the School. These courses fall into the broad categories of design and visualization, technology and practice, history and theory, and urbanism and landscape. In addition, design research students are required to take two classes outside the School of Architecture. At the beginning of each term, students meet with the program director and their faculty advisors to help choose elective courses that support their general interests and relevant classes that support their thesis project.

Community

The relatively small size of the Post Pro student body coupled with the modest size of the School of Architecture allows our students to form a collective identity while immersing themselves within the wider YSOA community. Enrolling in the required courses builds solidarity among M.Arch. II students. At the same time, Advanced Studios and elective seminars allow Post Pro students to engage with other YSOA students as well as students from other Yale departments.

Thesis

The program is centered around the development of an original thesis project. The thesis is broadly conceived and allows for many different possibilities without a clearly defined format. A design thesis can utilize different forms of representation, at different scales, and can be realized into different media including publications, exhibitions, performances, or digital experiences. Thesis projects are unified by a rigorous engagement with media and media production including drawing and image-making and a written component elaborating the critical stakes of the project that situates the work within various conceptual, theoretical, and historical contexts.

In its most simple form, a thesis is a claim. It is not simply a design project, but one that takes a stand on a topic, site, issue, or idea, and presents rigorous, original research in support of that claim. In this context, original research is one key vehicle for producing new forms of architectural knowledge. Doing original research means engaging with archives and objects, conducting field studies, and defining ways in which techniques of spatial production relate to other methods of research. This transdisciplinary approach not only looks outward to practices beyond the traditional purview of architecture but asks what architecture and spatial thinking can contribute to other disciplines.

Simply defined, the Yale M.Arch II thesis is an original, research-based design project that develops new forms of spatial thinking and representation to complex issues and their intersections with architecture, space, geography, form, subjectivity, and aesthetics.

Course of Study

In course titles, a designates fall term, and b designates spring term. The School reserves the right to change the prescribed course of study as necessary.

M.Arch. II: Total Requirement: 72 credits 

First Year (Summer) 

| Required | Credits |  | :— | —: |  |5091, Fundamentals of Modeling and Fabrication* | 0 |  |5093, Resources for Design Research | 0 |  | Total | 0 |

First Year (Fall)

| Required | Credits |  | :— | —: |  | Advanced Design Studio | 9 |  | 7003, Design Research I: Design as Research | 3 |  | Elective* | 3 |  | Elective* | 3 |  | Total | 18 |    First Year (Spring)

| Required | Credits |  | :— | —: |  | Advanced Design Studio | 9 |  | 7004, Design Research II: Cross-Disciplinary | 3 |  | Elective* | 3 |  | Elective* | 3 |  | Total | 18

Second Year (Fall)

| Required | Credits |  | :— | —: |  | 5005, Independent Design Research Studio I | 9 |  | Elective* | 3 |  | Elective* | 3 |  | Elective* | 3 |  | Total | 18

Second Year (Spring)

| Required | Credits |  | :— | —: |  | 5006, Design Research IV: Independent Studio II | 9 |  | Elective* | 3 |  | Elective* | 3 |  | Elective* | 3 |  | Total | 18

*Students not on academic warning or probation may substitute independent elective course work. (See the School’s Academic Rules and Regulations for procedures and restrictions.)

Summer Preparation Courses for Incoming M.Arch. II Students

In the three weeks before the beginning of the fall term, the school offers an integrated set of preparatory workshops required for incoming M.Arch. II students. 

  1. Summer Shops Techniques Course (ARCH 5091). This one-week course introduces incoming students to the school’s fabrication equipment and shops. The course stresses good and safe shop techniques. Students are not allowed to use the school’s shops unless they have satisfactorily completed this course. 

  2. Summer Digital Media Orientation Course (included in ARCH 5093). This two-part workshop, which occurs during the same week as Summer Shops Techniques, covers accessing the school’s servers, the use of the school’s equipment, and the school’s digital media policies and procedures. 

  3. Arts Library Research Methods (included in ARCH 5093). This ninety-minute session covers various strategies to answer research questions pertaining to course curricula and topics by using tools such as the Yale University online catalog, architecture databases, image resources, print resources, and archival resources.

School Portfolio

In addition to the 72 satisfactorily completed course credits, a student must satisfactorily complete the portfolio requirement (as described under Academic Regulations in the chapter Life at the School of Architecture) in order to receive an M.Arch. degree. The portfolio requirement is administered and periodically reviewed by the Design Committee.

Thesis Submission

All graduating students must submit a copy of their completed thesis project. All thesis projects must be submitted according to the guidelines established within the program handbook.

Academic Rules and Regulations

Procedures and restrictions for the M.Arch. II program can be found in the School’s Academic Rules and Regulations section of the School of Architecture Handbook.

Design and Visualization 19

5001
Fall 2026
Architectural Design I
Violette de la Selle, Can Vu Bui, Nicholas McDermott, Maria Rius Ruiz, Michael Szivos
5005
Fall 2026
Independent Design Research Studio I
Bimal Mendis, Deborah Garcia
5007
Fall 2026
Advanced Design Studio: Gateway to Gowanus
Sebastian Mendez, Sam Alison-Mayne, Martin Finio
5008
Fall 2026
Advanced Design Studio: QUADRATURA MUNDI
Mauricio Pezo Bravo, Sofía von Ellrichshausen, Daisy Ames
5009
Fall 2026
Advanced Design Studio: ON-RAMP: Reconsidering New Haven’s Modernist Heritage in a Post-Car Era
Sandra Barclay, Jean Pierre Crousse, Andrew Benner
5010
Fall 2026
Advanced Design Studio: Landscapes of Retreat: Conservatory
Rosetta S. Elkin, Regina Teng
5011
Fall 2026
Advanced Design Studio: Post-Concrete Mat-building
Brennan Buck
5012
Fall 2026
Advanced Design Studio: Shaping Light
Thomas Phifer, Beom Jun Kim
5013
Fall 2026
Advanced Design Studio: good houses.
Ahmed Belkhodja, Filipe Magalhães, Gavin Hogben
5103
Fall 2026
Cartographies of Climate Change
Joyce Hsiang
5104
Fall 2026
Composition
Emily Abruzzo
5105
Fall 2026
Drawing and Architectural Form
Victor Agran
5106
Fall 2026
Geometric Translations
Sunil Bald
5109
Fall 2026
Ink
Michelle Fornabai
5110
Fall 2026
Small Objects
Timothy Newton, Nathan Burnell, Alyse Guild
5111
Fall 2026
Ad Hoc Trash
Trattie Davies
5112
Fall 2026
Space-Time-Form
Eeva-Liisa Pelkonen
5114
Fall 2026
The Plan
Brennan Buck
5116
Fall 2026
Ruins, Ruination & Reuse
Mark Foster Gage

Technology and Practice 7

6001
Fall 2026
Advanced Building Envelope Design
Anna Dyson
6005
Fall 2026
Environmental Design
Mae-ling Lokko
6006
Fall 2026
Structures I
Kyoung Sun Moon
6101
Fall 2026
Bad Buildings: Decarbonization Through Reuse, Retrofit and Proposition
Tess McNamara
6102
Fall 2026
Building Disasters: When Things Go Wrong
John D. Jacobson
6111
Fall 2026
Technology and Design of Tall Buildings
Kyoung Sun Moon
6116
Fall 2026
The Robotic Bridge Project
Hakim Hasan

History and Theory 16

7001
Fall 2026
Architecture and Modernity: Theories & Projects
David Sadighian
7003
Fall 2026
Design Research I: Design as Research
Jordan H. Carver
7104
Fall 2026
Capital Building: Histories of Design and Accumulation
David Sadighian
7105
Fall 2026
The Automatic Promise: Architecture’s Computer Dismembered
Francesca Hughes
7108
Fall 2026
Domo Ludens: Modern Art and Architecture at Play
Surry Schlabs
7111
Fall 2026
Knowledge Sharing Spaces
Summer Sutton
7113
Fall 2026
Landscape, Film, Architecture
Fatima Naqvi
7116
Fall 2026
Semiotics
Francesco Casetti
7117
Fall 2026
Spatial Concepts of Japan: Their Origins and Development in Architecture and Urbanism
Yoko Kawai
7127
Fall 2026
Body Politics
Joel Sanders
7128
Fall 2026
An Atlas of Postmodernism
Mark Foster Gage
7129
Fall 2026
Extrastatecraft: Global Infrastructure to Planetary Solidarity
Keller Easterling
7133
Fall 2026
Anti-Eugenic Architecture
David Gissen
7134
Fall 2026
Space and Subjectivity
Jordan H. Carver
7135
Fall 2026
Utopias, Counter-Utopias, Heterotopias: An Architectural and Urban History
Craig Buckley
7136
Fall 2026
Modernism and the Middle East
Kishwar Rizvi

Urbanism and Landscape 6

8107
Fall 2026
History of Landscape Architecture: Antiquity to 1700 in Western Europe
Bryan Fuermann
8108
Fall 2026
Housing Connecticut: Developing Healthy and Sustainable Neighborhoods
Andrei Harwell, Kate Cooney, Anika Singh Lemar, Alan Plattus, Aïcha Woods
8111
Fall 2026
Introduction to Planning and Development
Joseph B. Rose
8117
Fall 2026
Out of Date: Expired Patents and Unrealized Histories
Anthony Acciavatti
8119
Fall 2026
Interface As Infrastructure
Nneka Sobers
8120
Fall 2026
Seeing Like a Forest: Dispersed and Interconnected Communities of Nature
Ana María Durán Calisto