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January 8 – July 3

Encounters: Denise Scott Brown Photographs
In the formative years between 1950 and 1970, Denise Scott Brown found in photography the possibility of looking anew at a fraught world—and of rethinking the architect’s role within it. Presenting a wide-ranging selection of Scott Brown’s photographs, Encounters explores her crucial but little-studied photographic practice, and raises broader questions about architectural research and pedagogy, the profession’s interest in so-called ordinary places, and the social and political obligations of design. In Encounters, these photographs—many of which are shown as slides in a darkened theater—are paired with work by other photographers, as well as materials drawn from several archives, placing Scott Brown’s work in an expanded field and prompting audiences to rethink its significance for the present.
April 2 – May 18

Pre-Mo Po-Mo: Micro-Urbanism in Jože Plečnik’s Ljubljana
Neither wholly modern nor wholly historicist, the work of Slovenian architect Jože Plečnik (1872–1957) resists being categorized into any specific architectural movement. Rather, Plečnik, who played a pivotal role in transforming his home city of Ljubljana after the disintegration of the Austro-Hungarian Empire, created a distinctly Slovenian architectural language during a critical period of national identity formation. Plečnik did not create a sweeping, grand vision for a new city. Instead, for more than three decades, he worked incrementally on urban projects large and small, creating an accretion of interventions that effortlessly graph onto an existing context. Pre-Mo Po-Mo: Micro-Urbanism in Jože Plečnik’s Ljubljana brings together these works of micro-urbanism—lampposts, steps, paving, and ornament—that mediates between the scale of the body and the city. Through modest means, these works produce a sense of intimate monumentality, revealing how cumulative, human-scaled design can transform urban experience.
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Applications for admissions for Fall 2026 closed on January 2, 2026.
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Yale Architecture Advanced Technology

Paul Rudolph Hall 180 York Street

6th Floor, Room 602 (equipment checkout, when scheduled)

6th Floor, Room 605

3rd Floor, Room 308

Phone 203-432-9655

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Yale Architecture

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Visit the Exhibition

The Yale Architecture Gallery is located at Paul Rudolph Hall in New Haven, CT.

Enter through 190 York Street, New Haven, CT 06511 and proceed to the second floor.

The Yale Architecture Gallery is open 9 - 5 on weekdays and 10 - 5 on Saturdays. The Gallery is closed on major holidays.

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Paparazza Moderna: Lovers and Frenemies
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Recent Publications

01 cover 20251210 ysoa kahn pitp cover mm
Constructs f25 cover1
retrospecta 48 cover
2025 civita publication pages 1
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The Particular and the Public
Louis I. Kahn Visiting Assistant Professorship
Rachaporn Choochuey, Carrie Norman, Thomas Kelley, Chat Travieso, Nina Rappaport, Saba Salekfard
01 cover 20251210 ysoa kahn pitp cover mm
Civita di Bagnoregio 2025
Norma Barbacci, Sophia Bachas-Daunert, Hima Gobburu, Yixing (Cindy) Liu, Meghana Ramesh, Tara Vasanth, Norma Barbacci, Sophia Bachas-Daunert, Hima Gobburu, Cici Jia, Yixing (Cindy) Liu, Brian Stanton, Luca Costantini
2025 civita publication pages 1
Oil, Land, People: The Challenges for Architecture
Edward P. Bass Distinguished Visiting Architecture Fellowship
Marc de la Bruyère, Claire Weisz, Andrei Harwell, Nina Rappaport, Charis Armstrong
9781638401698 p0 v1 s1200x1200
Civita di Bagnoregio 2024
Norma Barbacci, Grace Chan, Jess Chen, Grace Dube, Natalie Fox, Nicholas Arvanitis, Grace Chan, Anthony Costa Heywood, Natalie Fox, Norma Barbacci, Basel Hussein, Blake Harris, Brian Stanton, Luca Costantini
24.01.14 civita covers
What about Learning?
Deborah Saunt, Saba Salekfard, David Grant
81flyhzful. sl1500
Conscious Community
Louis I. Kahn Visiting Assistant Professorship
Chris Cornelius, Rodney Leon, Abeer Seikaly, Nina Rappaport, Stav Dror
Conscious Communities cover
Housing Redux
Edward P. Bass Distinguished Visiting Architecture Fellowship
Nnenna Lynch, Hana Kassem, James von Klemperer, Andrei Harwell, Nina Rappaport
Housing redux real cover
Civita di Bagnoregio 2023
Norma Barbacci, Erin Bascom, Grace Brooks, Barbara Nasila, Kevin Yang, Tong Hsu, Kevin Yang, Erin Bascom, Luca Costantini
Cover for Civita 2023 book
I, Like Many Things
Diana Smiljković, Gustav Nielsen, Rachael Tsai, Jack Rusk
I, Like Many Things cover
The Innovative Urban Workplace
Edward P. Bass Distinguished Visiting Architecture Fellowship
Abby Hamlin, Dana Tang, Nina Rappaport
The Innovative Urban Workplace book cover
A Center for Victims of Domestic Violence
Turner Brooks, Nina Rappaport
A center for Victims of Domestic Violence in New Haven
Reimagining the Civic
Louis I. Kahn Visiting Assistant Professorship
Luis Callejas, Charlotte Hansson, Fernanda Canales, Stella Betts, Nina Rappaport
Reimagining the Civic book cover

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Exhibition Credits

Curated by:

Priscilla Barker (M.Arch I ’26)
Yanbo Li (M.Arch I ’26)
Ange Long (M.Arch I ’26)
Nur Nuri (M.Arch I ’26)

YSoA Gallery Staff:

Andrew Benner, Alison Walsh, Zach Wilder

Graphic Design:

Phoebe Kerr

Fabrication Assistance:

Moss Brenner-Bryant, Karolina Ocha-Montes, Justin Morande, Ellen Zhu, McCloy Leonard, Alyse Guild, Timothy Newton, Nathan Burnell

Special Thanks:

MAO - Muzej za arhitekturo in oblikovanje / Museum of Architecture and Design⁩⁦
MGML - Muzej in galerije mesta Ljubljane / Museum and Galleries of Ljubljana
Plečnikova hiša / Plečnik House
ZAL - Zgodovinski arhiv Ljubljana / Historical Archives of Ljubljana
Yale Printing and Publishing Services
Ana Porok
Tomaž Štoka
Miloš Kosec
Amin Taha
Regina Teng

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A Tribute by Penelope Laurans

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Note
Since all required admissions materials must be uploaded to the online application, applicants should not send any materials directly to the school. Any materials received directly from an applicant will not be added to the applicant’s admission file.
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Please direct all requests for proof of enrollment and degree verifications to arch.verifications@yale.edu along with a release signed by the subject
arch.verifications@yale.edu
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Neither wholly modern nor wholly historicist, the work of Slovenian architect Jože Plečnik (1872–1957) resists being categorized into any specific architectural movement. Rather, Plečnik, who played a pivotal role in transforming his home city of Ljubljana after the disintegration of the Austro-Hungarian Empire, created a distinctly Slovenian architectural language during a critical period of national identity formation. Plečnik did not create a sweeping, grand vision for a new city. Instead, for more than three decades, he worked incrementally on urban projects large and small, creating an accretion of interventions that effortlessly graph onto an existing context. Pre-Mo Po-Mo: Micro-Urbanism in Jože Plečnik’s Ljubljana brings together these works of micro-urbanism—lampposts, steps, paving, and ornament—that mediates between the scale of the body and the city. Through modest means, these works produce a sense of intimate monumentality, revealing how cumulative, human-scaled design can transform urban experience.
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Please direct all requests for proof of enrollment and degree verifications to arch.verifications@yale.edu along with a release signed by the subject

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This page will try to diagnose common problems with plotting and explain the solutions that usually fix those issues. These unfortunately won’t cover all circumstances, so if you don’t see your issue here, or the solutions don’t work for you, please see the AT staff, or fill out a support ticket.

My file is taking too long to print as a PDF.

Most likely, your computer is taking a long time processing layered effects when producing your file. This is common with files with large numbers of vector files that have different effects that impact other geometry (transparency, glow, shadows, patterns, etc.)

My colors/lineweights/gradients don’t match my screen.

Please print a test strip and adjust your file accordingly. Please keep in mind that most printers will provide a less vibrant image and finer lines than your monitors. The only way to ensure a clear color/linescale match is to adjust your monitor’s colors manually to a result from the intended printer/paper type/media profile. After you’ve made those changes, you should be able to approximate colors closely, but keep in mind that lighting conditions where your prints are hung or switching to another type of paper or printer will dramatically impact how those colors appear.

I’m seeing an orange error message when I send my print.

Try rasterizing your PDF from Acrobat. Go to the top left Menu button and choose Export a PDF and Image. Choose your preferred file format. As long as you don’t compress your file, there’s no functional difference between them.

Make sure you’re embedding any color profiles, then choose resolution and colorspace. For small-format documents, 300-600 pixels/inch is reasonable. Keep in mind that finer lineweights may disappear at high resolutions. for large format documents 150 pixels/inch is usually more than acceptable. Anything higher than 300 will take an extremely long time to produce and may fail to produce anything. All raster filetypes have a maximum width in any dimension of 30,000 pixels.

Open the resulting image in Acrobat by right-clicking on the image file and choosing the Convert to Adobe PDF option. If you exported a multi-page document this way, select all the images exported and use the Combine files in Acrobat option.

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Photography

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